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"Tell the chef, the beer is on me."
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Just about everything. On "Devil Pray," a song about trying to overcome addiction, she sings "Take my sins and wash them away/Teach me how to pray." Yet "Bitch Im Madonna," which features a guest rap from Nicki Minaj, is one of the most simplistic party anthems shes ever done: "Well be drinking, aint nobody gonna stop us/And well be kissing everyone thats around us." "Unapologetic Bitch" is an angry breakup song, while "Living for Love" is a gospel-inflected anthem about the healing power of love, and "Ghosttown" is about retreating from the harshness of the world with your lover. Granted, Madonna, 56, has never been particularly interested in thematic coherence on her albums. But these tracks are really all over the place. "The reason I wanted to call the record Rebel Heart was because I felt like it explored two very distinct sides of my personality," Madonna told Billboard.com. "The rebellious, renegade side of me, and the romantic side of me. In my mind, it was almost like I wanted to do a two-record set." "The music leads me so I get lost in the sound of the music, and that creates a kind of emotional palate," she elaborated to RollingStone.com. "I found as I would look back at my songs and witness what I had written, I was coming from two very distinct places. I was observing, Oh, these are two very strong sides of me that I need to express. " Not including Madonna, who co-wrote and co-produced each song, 14 co-writers and 10 co-producers are credited on these six tracks.
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"Tell the chef, the beer is on me."
"Basically the price of a night on the town!"
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